![]() Every song has its place, both in the game and in my heart. The “In Circles” duet during the first boss fight hooked me in and “Paper Boats” made me basically sob while watching the credits roll. The music alone is reason enough - every track fits the feel of where you are and what you’re doing, interlaced with vocal performances by Ashley Barrett, who has sung and done the voice-over work for all of the Supergiant Games. Even after four years, the music is some of my favorite music of any game. “Transistor” is one of few games everyone should play. On her way to find Sybil, the face of the Camerata, Red will face the robotic hive mind sent to retrieve the Transistor the Process, who is the same entity slowly taking over the city. The game centers around Red and the Transistor as they travel through the city of Cloudbank, hunting down the members of the Camarata, the ones behind Red’s missing voice and the reason Cloud Bank is being torn apart. With Supergiant’s “Pyre” coming out towards the end of last year, and coming up on “Transistor’s” four year anniversary, it’s a good time to revisit the studio’s best game. It built on “Bastions” hack and slash system by adding a turn-based element, as well as the “function” system, allowing players to experiment and play the way they want to. About 3 years later, Supergiant leaped forward to make the visual masterpiece: “Transistor.” When “Transistor” came out, fans were blown away. This is the opening to “Transistor,” the second game by Supergiant Games.įormed in 2009, Supergiant released their first game, “Bastion,” in 2011, receiving high marks from critics for its great story and fantastic soundtrack. We’re not going to get away with this are we?” A voice rings out from the glowing teal blade. A great sword-like weapon, t he Transistor, lays buried in his chest. A woman with bright red hair stands over a dead man.
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